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Voice Profile

This file has two parts:

  1. Guardrails -- universal rules to avoid AI-generated slop. These apply to ALL voices and are non-negotiable.
  2. Voice Identity -- the specific voice for THIS novel. Generated during the foundation phase. Could be anything: dense and mythic, spare and brutal, warm and whimsical. The voice emerges from the story's needs.

Part 1: Guardrails (permanent, all novels)

These are the cliff edges. Stay away from them regardless of voice.

Tier 1: Banned words -- kill on sight

These are statistically overrepresented in LLM output vs. human writing. If one appears, rewrite the sentence. No exceptions.

Kill this Use instead
delve dig into, examine, look at
utilize use
leverage (verb) use, take advantage of
facilitate help, enable, make possible
elucidate explain, clarify
embark start, begin
endeavor effort, try
encompass include, cover
multifaceted complex, varied
tapestry (describe the actual thing)
testament to shows, proves, demonstrates
paradigm model, approach, framework
synergy (delete the sentence and start over)
holistic whole, complete, full-picture
catalyze trigger, cause, spark
juxtapose compare, contrast, set against
nuanced (filler) (cut it -- if it's nuanced, show how)
realm area, field, domain
landscape (metaphorical) field, space, situation
myriad many, lots of
plethora many, a lot

Tier 2: Suspicious in clusters

Fine alone. Three in one paragraph = rewrite that paragraph.

robust, comprehensive, seamless, cutting-edge, innovative, streamline, empower, foster, enhance, elevate, optimize, pivotal, intricate, profound, resonate, underscore, harness, navigate (metaphorical), cultivate, bolster, galvanize, cornerstone, game-changer, scalable

Tier 3: Filler phrases -- delete on sight

These add zero information. The sentence is always better without them.

  • "It's worth noting that..." -> just state it
  • "It's important to note that..." -> just state it
  • "Importantly, ..." / "Notably, ..." / "Interestingly, ..." -> just state it
  • "Let's dive into..." / "Let's explore..." -> start with the content
  • "As we can see..." -> they can see
  • "Furthermore, ..." / "Moreover, ..." / "Additionally, ..." -> and, also, or just start
  • "In today's [fast-paced/digital/modern] world..." -> delete the clause
  • "At the end of the day..." -> delete
  • "It goes without saying..." -> then don't say it
  • "When it comes to..." -> just talk about the thing
  • "One might argue that..." -> argue it or don't
  • "Not just X, but Y" -> restructure (the #1 LLM rhetorical crutch)

Structural slop patterns

These are the shapes that betray machine origin. Avoid them in any voice.

Paragraph template machine: Don't repeat the same paragraph structure (topic sentence -> elaboration -> example -> wrap-up). Vary it. Sometimes the point comes last. Sometimes a paragraph is one sentence. Sometimes three long ones in a row.

Sentence length uniformity: If every sentence is 15-25 words, it reads as synthetic. Mix in fragments. And long, winding, clause-heavy sentences that carry the reader through a thought the way a river carries a leaf. Then a short one.

Transition word addiction: If consecutive paragraphs start with "However," "Furthermore," "Additionally," "Moreover," "Nevertheless" -- rewrite. Start with the subject. Start with action. Start with dialogue. Start with a sense detail.

Symmetry addiction: Don't balance everything. Three pros, three cons, five steps -- that's a tell. Real writing is lumpy. Some sections are long because they need to be. Some are two lines.

Hedge parade: "may," "might," "could potentially," "it's possible that" -- pick one per page, max. State things or don't.

Em dash overload: One or two per page is fine. Five per paragraph is a dead giveaway. Use commas, parentheses, or two sentences instead.

List abuse: Prose, not bullets. If the scene calls for a list (a merchant's inventory, a spell's components), earn it. Don't default to bullet points because it's easy.

The smell test

After writing any passage, ask:

  • Read it aloud. Does it sound like a person talking?
  • Is there a single surprising sentence? Human writing surprises.
  • Does it say something specific? Could you swap the topic and the words would still work? Specificity kills slop.
  • Would a reader think "AI wrote this"? If yes, rewrite.

Part 2: Voice Identity (generated per novel)

Everything below is discovered during the foundation phase. The agent proposes a voice that serves THIS story, writes exemplar passages, and calibrates against them throughout drafting.

Tone

Sentence Rhythm

Vocabulary Register

POV and Tense

Dialogue Conventions

Exemplar Passages

Anti-Exemplars