data_dictionary.json

{
    "b1_archive_1": {
        "title": "Door (pintu pagar) of the Perankan House",
        "description": "An ornate laquered and gilt wood carving door with auspicious symbols.",
        "file_path": "data1/archives/archive_1.jpg",
        "page_number": "before Contents",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 2, Family and Community Life",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_2": {
        "title": "Bride and bridegroom",
        "description": "A bride and bridgroom in auspicious embroidered silk wedding attire and hair ornaments.",
        "file_path": "data1/archives/archive_2.jpg",
        "page_number": "before Forward",
        "image_source": "Peranakan Museum",
        "reference_source": "Image courtesy of the Peranakan Museum, Singapore (National Heritage Board), Level 1, Origins",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_3": {
        "title": "Bride's Chiu Thau ceremony",
        "description": "The Chiu Thau ceremonies when each of the bridal couple was purified and initiated into adulthood formed the core of baba wedding rituals.",
        "file_path": "data1/archives/archive_3.jpg",
        "page_number": "before page 1",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_4": {
        "title": "Wu-pei-chih chart",
        "description": "The 15th century Wu-pei-chih charts that showed Chinese sailors the way to Nanyang identifies Malacca as Man-chih-jia",
        "file_path": "data1/archives/archive_4.jpg",
        "page_number": "2-3",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_5": {
        "title": "Baba fashions",
        "description": "This Baba family wedding picture shows Peranakans in batik, silk and western jacket and trousers in this portrait taken outside the house with tradional wedding lanterns.",
        "file_path": "data1/archives/archive_5.jpg",
        "page_number": "5",
        "image_source": "Peranakan Museum",
        "reference_source": "Image courtesy of the Peranakan Museum, Singapore (National Heritage Board), Level 1, Origins",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_6": {
        "title": "Chinese children in New Year's dress, Singapore around 1900. Gelatin silver print. G.R. Lambert and Co.",
        "description": "While one Chinese girl hold a tradional handkerchief, another boy is dressed in Manchu style with a conical hat and all girls wearing their headdresses.",
        "file_path": "data1/archives/archive_6.jpg",
        "page_number": "6",
        "image_source": "Peranakan Museum",
        "reference_source": "Image courtesy of the Peranakan Museum, Singapore (National Heritage Board), Level 1 Section 1 Origins",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_7": {
        "title": "Penang Baba wedding",
        "description": "A Penang Baba wedding was different from that of Malacca and Singapore in many respects. The bride's headgear was a hat-like, pom-pom covered crown usually with a veil of beads(not shown). Unlike Malacca Baba weddings, the bride couple was attended by two page girls and page boys.",
        "file_path": "data1/archives/archive_7.jpg",
        "page_number": "10-11",
        "image_source": "Peranakan Museum",
        "reference_source": "Image courtesy of the Peranakan Museum, Singapore (National Heritage Board), Level 1 Section 1 Origins",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_8": {
        "title": "Nyonya girl and boy",
        "description": "Photo of Nyongya girl and boy of the past era. Though in the 1930s, they were often used by matchmakers as they shuttled to and from Baba households bringing families together in matrimony.",
        "file_path": "data1/archives/archive_8.jpg",
        "page_number": "12",
        "image_source": "Peranakan Museum",
        "reference_source": "Image courtesy of the Peranakan Museum, Singapore (National Heritage Board), Level 1 Section 1 Origins",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_9": {
        "title": "Beaded belts",
        "description": "Three beaded belts, one with a typical silver buckle, show off the intricate needlework of Eight Immortals, another silver buckle gilt with gold is with beaded motifs. A third belt is just full of beads. Nyongya maidens of days gone by. manek potong or faceted beads were used to good effect such that the beadwork shimmered with the wearer's gait.",
        "file_path": "data1/archives/archive_9.jpg",
        "page_number": "14-15",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 7 Decorative Textiles",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_10": {
        "title": "Beaded belt details",
        "description": "The various animals design of this beadwork is very intricate which requires very nimble fingers for the embroidery work.",
        "file_path": "data1/archives/archive_10.jpg",
        "page_number": "16",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 7 Decorative Textiles",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_11": {
        "title": "Reddi and carriers",
        "description": "The Reddi was a hammock-like transportation which Nyongya matriachs devised to keep her precious female charges out of public view. A little discomfort was not considered too high a price to pay for modesty in those days.",
        "file_path": "data1/archives/archive_11.jpg",
        "page_number": "17",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_12": {
        "title": "A page from The Book  of Fate",
        "description": "Pages from The Book of Fate which is still being published annually and referred to even today.",
        "file_path": "data1/archives/archive_12.jpg",
        "page_number": "20-21",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_13": {
        "title": "A papercut",
        "description": "This delicate papercut done in the phoenix and peony design echos the motifs frequently found on Nyonya porcelain. Similar fine papercuts were often added to wedding gifts to wish the couple luck.",
        "file_path": "data1/archives/archive_13.jpg",
        "page_number": "22-23",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_14": {
        "title": "Kueh ih",
        "description": "Image of the red and white kueh ih, glutinous rice balls served in a syrup, were used throughout Baba wedding rituals.",
        "file_path": "data1/archives/archive_14.jpg",
        "page_number": "24",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_15": {
        "title": "Baba lanterns",
        "description": "Baba lanterns are far more than just light sources. They are deep symbols of lineage, identity, and the specific 'Guanxi' (natural spirit/fortune) of a household.",
        "file_path": "data1/archives/archive_15.jpg",
        "page_number": "27",
        "image_source": "Peranakan Museum",
        "reference_source": "Image courtesy of the Peranakan Museum, Singapore (National Heritage Board), Level 1 Section 1 Origins",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_16": {
        "title": "Bridal bed hangings",
        "description": "These embroidered bridal bed hangings are shaped in auspicious motifs. The side hangings features flowers  and pairs of auspicious birds.",
        "file_path": "data1/archives/archive_16.jpg",
        "page_number": "28",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 3 Family and Community Life",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_17": {
        "title": "Bridal bed hangings",
        "description": "These embroidered bridal bed hangings are shaped in auspicious motifs. The central hangings consists of a Toaist eight-gram.",
        "file_path": "data1/archives/archive_17.jpg",
        "page_number": "29",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 3 Family and Community Life",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_18": {
        "title": "Bridal chamber",
        "description": "The Peranakan Bridal Chamber (known as the Chio Thau room) is full of red (represents joy) and gold (represnts wealth) symbolisms, carvings of pomegranates(symbolizing many children) and peonies(symbolizing beauty and nobility) and the bed is usually draped with embroidered silk curtains",
        "file_path": "data1/archives/archive_18.jpg",
        "page_number": "30-31",
        "image_source": "Peranakan Museum",
        "reference_source": "Image courtesy of the Peranakan Museum, Singapore (National Heritage Board), Level 1 Section 1 Origins",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_19": {
        "title": "Silver bolster and pillow ends",
        "description": "Silver bolster and pillow ends(both gold gilt) add glamour to the already luxurious silk beddings of the Baba bridal bed.",
        "file_path": "data1/archives/archive_19.jpg",
        "page_number": "33",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 6 Batik",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_20": {
        "title": "Serunee instruments",
        "description": "Image of serunee instruments. The serunee master often fill the many halls of ancestral home with the haunting melodies of his instrument. ",
        "file_path": "data1/archives/archive_20.jpg",
        "page_number": "37",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_21": {
        "title": "Bride paying respects before the altar",
        "description": "Image of the bride paying a graceful, deep bow where the palms are pressed together, offering joss sticks to Heaven and her ancestors, informing them of her marriage and asking for their protection and blessings for her fertility and the prosperity of her new household. This is often a tearful 'Farewell' moment. By kneeling before her parents after the altar rites, she expresses Filial Piety, thanking them for raising her before she officially 'leaves' the family fold.",
        "file_path": "data1/archives/archive_21.jpg",
        "page_number": "39",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_22": {
        "title": "Sang Kheh Umm and Bukak Koon assisting bride",
        "description": "Image of a Sang Kheh Umm ('Wedding Mistress of Ceremonies'). Here, ably assisted by the Bukak Koon (one who 'opens skirt'), she makes final adjustments to the bride's multi-layered gown.",
        "file_path": "data1/archives/archive_22.jpg",
        "page_number": "41",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_23": {
        "title": "Sam Kai Altar",
        "description": "The way a sam kai altar (Altar of the Three Realms) is set up was prescribed by tradition. The top panel of the altar cloth shown here is graced by the gods of Learning, Prosperity and Logevity.",
        "file_path": "data1/archives/archive_23.jpg",
        "page_number": "42",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 2 Section 3 Family and Community Life",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_24": {
        "title": "Preparing chie hup",
        "description": "Image of the Sang Kheh Umm (Mistress of Ceremonies) decorates a chie hup with 'eagle claw' (Bunga Kenanga) motifs and red berries (Bua Inai). The 'eagle claws' are made of strips of papaya preserved in rock sugar solution.",
        "file_path": "data1/archives/archive_24.jpg",
        "page_number": "46",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_25": {
        "title": "A chie hup (also known as chenab/chanab/chunab)",
        "description": "A Chie Hup usually sits as the centrepiece, the Chenab (or Chunab). The Chie Hup refers to the meticulously decorated 'sweetmeat' offerings. In Baba Malay, Chie means to eat/taste, and Hup refers to harmony or togetherness.",
        "file_path": "data1/archives/archive_25.jpg",
        "page_number": "46",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_26": {
        "title": "Pasang Liling",
        "description": "Image of Pisang Liling or lighting the candles of the sam kai altar irrevocably sealed the match made between the families. The parents of the bridegroom light the candles on the other side of the sam kai shown on page 42. The tok wee panel is embroidered with the Eight Immortals of Chinese mythology.",
        "file_path": "data1/archives/archive_26.jpg",
        "page_number": "48-49",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_27": {
        "title": "Bridegroom's Chiu Thau ceremony",
        "description": "Image of the bridegroom sat with his knees drawn up. His attendant or Pak Chindek then handled him the tong soo or Fate Reference Book which the bridegroom placed on his knees.",
        "file_path": "data1/archives/archive_27.jpg",
        "page_number": "51",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_28": {
        "title": "Bride's Chiu Thau hairdo accessories",
        "description": "Image of the brides's Chiu Thau hairdo accessories of white jasmine and red ixora blossoms pinned on top. The three silver pins or at other times the sundal melor will form part of the bridal crown.",
        "file_path": "data1/archives/archive_28.jpg",
        "page_number": "53",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_29": {
        "title": "Bridal skirt (detail)",
        "description": "A detail of the pleated bridal skirt in ripe-betal-nut-yellow shows the high standard of tailoring and embroidery. ",
        "file_path": "data1/archives/archive_29.jpg",
        "page_number": "54",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 7 Decorative Textiles",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_30": {
        "title": "Bridal hairpins(cucuk sanggul) Early 20th Century worn by Mrs Quah Hong Chiam",
        "description": "These hair pins from Penang were made of gold and had designs embellished, sometimes with diamonds or garnet at their ends. Each pin was carefully pushed into position by the Sang Kheh Umm who covered the whole hairdo to form a crown.",
        "file_path": "data1/archives/archive_30.jpg",
        "page_number": "55",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 8 Jewellery",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_31": {
        "title": "Bridal hairdo and Penang crown headdress",
        "description": "The coiled bun represented the coils of the dragon. The tail of the dragon was usually formed by shaping the hair into a buntut belangkas or the sharp spike of the king crab. The head of the dragon was often a big pin pushed into the base of the hairdo. This headdress features the Eight Immortals and the Three Star Gods-Hock, Lock and Siew. The head is thought to be the most sacred part of the body. The deities protect the wearer from malevolent forces.",
        "file_path": "data1/archives/archive_31.jpg",
        "page_number": "55",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 8 Jewellery",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_32": {
        "title": "Preparing the bride's crown",
        "description": "Image of the Sang Khek Umm and her helpers put on the last of the numerous pins to form the bride's head-dress.",
        "file_path": "data1/archives/archive_32.jpg",
        "page_number": "56",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_33": {
        "title": "Accessories, the Kerosang Serong(exhibit 14) and Kerosang Rantay(exhibit 15) worn by the bride Mrs Quah Hong Chiam, Penang probably 1900s",
        "description": "Kerosang Serong accessories are worn with the bride's gown. Brooches, like these, or pins(not shown) embelished the bride. These brooches are on loan to the Perankan Museum from Dr Ho Pui San.",
        "file_path": "data1/archives/archive_33.jpg",
        "page_number": "58",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 8 Jewellery",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_34": {
        "title": "Bridal jacket and skirt with rabbit fur trimmings (shown on the right) associated with Chinese Peranakans in Penang",
        "description": "The striking orange is often referred to as 'Pinang orange' after the colour of areca nuts(pinang) used in betal chewing. Lotus and goldfish motifs carry blessings of harmony and good fortune for the bride couple. The overall outfit resembles clothes worn by Han Chinese during the Qing dynasty(1644-1911). ",
        "file_path": "data1/archives/archive_34.jpg",
        "page_number": "59",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 2 Section 3 Family and Community Life",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_35": {
        "title": "Leggings and beads embroidered knee pads",
        "description": "Leggings and embroidered knee pads(shown) were worn by the bridegroom under his robes and were therefore rarely noticed.",
        "file_path": "data1/archives/archive_35.jpg",
        "page_number": "61",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 7 Decorative Textiles",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_36": {
        "title": "Bridegroom's wedding costume",
        "description": "AI generated image of the Baba bridegroom four layers of clothes on his wedding day: white Chiu Thau suit, bamboo vest, long Chinese gown and a grand short jacket. ",
        "file_path": "data1/archives/archive_36.jpg",
        "page_number": "63",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_37": {
        "title": "The bridegroom meets his bride for wedding photo",
        "description": "A photograph of Peranakan wedding couple from a museum in Singapore. Taken at the wedding of Chung Guat Hooi (daughter of Capitan Chung Thye Phin) and Khoo Soo Beow (son of Khoo Heng Pan) May 1941, at 29 Church Steet, Penang, built by Capitan Chung Keng Quee and now known as the Pinang Peranakan Mansion. On the right are the bride's brothers, Chung Kok Chuan and Chung Kok Tong.",
        "file_path": "data1/archives/archive_37.jpg",
        "page_number": "64",
        "image_source": "Wikipedia Commons",
        "reference_source": "https://commons.wikimedia.org/w/index.php?title=File:Wedding_portrait_of_a_Peranakan_couple.jpg&oldid=1162627089",
        "license": "CC0 1.0 Universal (Public Domain Dedication)"
    },
    "b1_archive_38": {
        "title": "Ki beh ceremony",
        "description": "In a typical Ki Beh Ceremony, the bridegroom would have been served wine by his father during the Ki Beh ceremony before leaving his home to meet his bride. Possibly bringing wedding gifts (Ping Li) contained in this gift box prior to the Ki beh ceremony.",
        "file_path": "data1/archives/archive_38.jpg",
        "page_number": "67",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 2 Family and Community Life",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_39": {
        "title": "Bride's giving away ceremony",
        "description": "Image of the Giving Away ceremony also known as the Chu Meng (Going out of the Door) is more than just an emotional transition where the bride performs her most important act of gratitude in The Final Homage",
        "file_path": "data1/archives/archive_39.jpg",
        "page_number": "68",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_40": {
        "title": "Bearers with parasols and sometimes bright lanterns(not shown)",
        "description": "Bearers with parasols accompanying the bride and bridegrooms. Bearers do carry two pairs of keong teng during the wedding. Keong Teng (literally 'Bright Lanterns' or Hokkien Bridal Lanterns) are much more than just lighting—they are the symbolic 'Identity Cards' of the two families joining together.",
        "file_path": "data1/archives/archive_40.jpg",
        "page_number": "70-71",
        "image_source": "Peranakan Museum",
        "reference_source": "Image courtesy of the Peranakan Museum, Singapore (National Heritage Board), Level 1 Section 1 Origins",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_41": {
        "title": "The bridegroom",
        "description": "Image of the bridegroom and his party arriving at the main door of the bride's house. This is where they were met by elders who threw uncooked yellow rice ( beras kunvit) at them as a blessing.",
        "file_path": "data1/archives/archive_41.jpg",
        "page_number": "73",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_42": {
        "title": "Unveiling the bride",
        "description": "Image of the bridegroom unveiling the bride. This is the first time where the couple will see each other.",
        "file_path": "data1/archives/archive_42.jpg",
        "page_number": "75",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_43": {
        "title": "Bride paying respect",
        "description": "Image of the bride with uplifted and folded arms pays respects to the elders during the third day ( Sah Jit/Tiga Hari) of the wedding.",
        "file_path": "data1/archives/archive_43.jpg",
        "page_number": "76",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_44": {
        "title": "Page girl being helped into sedan chair",
        "description": "Image of the page girl is helped into the sedan chair backwards because of the restricted space between the carrying poles.",
        "file_path": "data1/archives/archive_44.jpg",
        "page_number": "78",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_45": {
        "title": "Sedan chair procession",
        "description": "Image of the red buntings or bunga terateh hang from a richly carved sedan chair ridden by the bridegroom(hidden) and his page boy.",
        "file_path": "data1/archives/archive_45.jpg",
        "page_number": "79",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_46": {
        "title": "Arrival of the bride's party",
        "description": "Image of the bride and her page girl arriving at the bridegroom's house by her sedan chair.",
        "file_path": "data1/archives/archive_46.jpg",
        "page_number": "80-81",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_47": {
        "title": "Page girl welcoming bride",
        "description": "In the Sireh Offering or Welcoming the Bride, the most important task of the page girl is to present the bride with a Sireh (Betel Nut) set or a tray of Mandarin Oranges the moment she steps out of the wedding carriage.",
        "file_path": "data1/archives/archive_47.jpg",
        "page_number": "82-83",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_48": {
        "title": "Bridegroom and page boy",
        "description": "From Third Day to the Twelfth day, the bridegroom would often times be assisted by his page boy.",
        "file_path": "data1/archives/archive_48.jpg",
        "page_number": "85",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_49": {
        "title": "Bridegroom with Sin Seh and Pak Chindek",
        "description": "The Sin Seh or Master of Ceremonies and the Pak Chindek are key personae in the proper conduct of a baba wedding.",
        "file_path": "data1/archives/archive_49.jpg",
        "page_number": "86",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_50": {
        "title": "Formal handkerchief liked this would be held by the Penang bride",
        "description": "The two ribbons tied to the bride's temples signifies her virginity. In her hands, the demure bride would holds a stiff formal handkerchief. This orange (areca nut colour) and red (auspicious) colours hankerchief would possibly have been held by the Penang bride.",
        "file_path": "data1/archives/archive_50.jpg",
        "page_number": "89",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 7 Decorative Textiles",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_51": {
        "title": "Essentials for Duabelas Hari",
        "description": "A tempat sireh set (1800s China, wood mother-of-pearl) with plum blossoms, peonies and dragons and a betel nut cracker and a container  are vital elements as the women folk of the two families meet to celebrate during the Duabelas hari, the Twelfth Day celebrations.",
        "file_path": "data1/archives/archive_51.jpg",
        "page_number": "90",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 2 Section 2 Family and Community Life",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_52": {
        "title": "One Nyonya",
        "description": "Portrait of a Nyonya, sitting on mother-of-pearl chair and flanked by two Peranakan porcelain on the floor.",
        "file_path": "data1/archives/archive_52.jpg",
        "page_number": "94",
        "image_source": "Peranakan Museum",
        "reference_source": "Image courtesy of the Peranakan Museum, Singapore (National Heritage Board), Level 1 Section 1 Origins",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_53": {
        "title": "Family photgraph on a birthday, Penang 1940s or 1950s, gelatin silver print",
        "description": "The Peranakan matriach seated at the centre of this family photograph wears a ceremonial baju tua (robe of old age), a garment that could be worn starting from the 61st birthday.",
        "file_path": "data1/archives/archive_53.jpg",
        "page_number": "97",
        "image_source": "Peranakan Museum",
        "reference_source": "Image courtesy of the Peranakan Museum, Singapore (National Heritage Board), Level 1 Section 1 Origins",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_54": {
        "title": "The bridegroom feed the bride",
        "description": "Image of the tradional feeding of the bride.",
        "file_path": "data1/archives/archive_54.jpg",
        "page_number": "98",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_55": {
        "title": "Phoenix cape",
        "description": "Image of the multi-layered phoenix cape which is one of the bridal regalia that is becoming increasingly rare. (Courtesy Mr Chan Yew How)",
        "file_path": "data1/archives/archive_55.jpg",
        "page_number": "100",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_56": {
        "title": "Peranakan tempat sireh, wood, mother of pearl, silver and gold plating, early 20th century, Intan museum",
        "description": "The Sireh darah (reddish colour of the betel nut preparation) usually sits prettily on the lower table of the family altar. The bride removes the kemunchak (red phoenix) and takes it into the bridal chamber during the Third Day ceremonies as a testimony of her virginity.",
        "file_path": "data1/archives/archive_56.jpg",
        "page_number": "101",
        "image_source": "Wikipedia Commons",
        "reference_source": "https://commons.wikimedia.org/w/index.php?title=File:Peranakan_tempat_sireh,_wood,_mother_of_pearl,_silver_and_gold_plating.JPG&oldid=1092144286",
        "license": "CC0 1.0 Universal (Public Domain Dedication)"
    },
    "b1_archive_57": {
        "title": "Kuan Kong and his two blood",
        "description": "Image of Kuan Kong, the 'God of War' is flanked by his blood brothers Chang Fei and Liu Pei. Venerated by the Babas these historical figures are celebrated in the Chinese classic The Romance of the Three Kingdoms. ",
        "file_path": "data1/archives/archive_57.jpg",
        "page_number": "106",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_58": {
        "title": "Family altar",
        "description": "Image of a family altar all dressed up for a wedding.",
        "file_path": "data1/archives/archive_58.jpg",
        "page_number": "109",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_59": {
        "title": "Embroidered chair cover",
        "description": "The embroidered silk chair cover (known in Baba Malay as a Kerusi Sarong or simply Sualian in some contexts) is the ultimate 'status symbol' of a wedding. These were not for everyday use; they were brought out specifically for the Twelve Days of the wedding to dress the stiff, dark wood Namwood or Rosewood chairs in the Thia Besar (Main Hall).",
        "file_path": "data1/archives/archive_59.jpg",
        "page_number": "before back cover",
        "image_source": "Peranakan Museum",
        "reference_source": "Collection of the Peranakan Museum, Singapore (National Heritage Board), Level 3 Section 7 Decorative Textiles",
        "license": "Personal Photography / Fair Dealing for research, study, and education"
    },
    "b1_archive_60": {
        "title": "Sedan chair",
        "description": "Image of the bridegroom (unseen) in sedan chair with his page boy.",
        "file_path": "data1/archives/archive_60.jpg",
        "page_number": "back cover",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    },
    "b1_archive_61": {
        "title": "Bride and Groom front cover",
        "description": "Image of an original public domain pic of a Peranakan wedding couple.",
        "file_path": "data1/archives/archive_61.jpg",
        "page_number": "front cover",
        "image_source": "AI Reconstruction",
        "reference_source": "Google Gemini 3 Flash",
        "license": "Licensed for personal/educational use only."
    }
}