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<!DOCTYPE html>
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<span class="border">ICSC2022</span> -->
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<h1 style="color: #000000;text-transform: uppercase;font-weight: bold;">ICSC 2022 6<sup>th</sup> International
Csound Conference</h1>
<h1 style="color: #000000;text-transform: uppercase;font-weight: bold;">November 4<sup>th</sup> – November
6<sup>th</sup> 2022</h1>
<h1 style="color: #000000;text-transform: uppercase;font-weight: bold;">TUS Midlands, Ireland</h1>
<!-- <span class="border" style="position:relative;background-color:transparent;font-size:55px;color: #f7f7f7;text-shadow: 1px 0 0 #000, 0 -1px 0 #000, 0 1px 0 #000, -1px 0 0 #000;">ICSC2022</span>
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<span class="border" style="position:relative;background-color:transparent;font-size:55px;color: #f7f7f7;text-shadow: 1px 0 0 #000, 0 -1px 0 #000, 0 1px 0 #000, -1px 0 0 #000;">TUS Midlands, Ireland</span> -->
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<h3 style="text-align: center;">The 6<sup>th</sup> International Csound Conference – ICSC2022 will take
place in Athlone, Ireland </h3>
<h3 style="text-align: center;">From November 4<sup>th</sup> to November 6<sup>th</sup> 2022</h3>
<br>
<p>We welcome you to come and join us for three days of music, discussions, installations, workshops and more!
</p>
<p>This years event will be hosted in Athlone, at the recently established Technological University of the Shannon
Midlands campus.</p>
<p>The ICSC is an artistic and academic event where members of the international Csound community meet for three
days of concerts, paper presentations, keynote talks and round tables.</p>
<p>Everyone is cordially invited to submit proposals for papers, music, installations and workshops, or to simply
just come along.</p>
</div>
</div>
<br>
<br>
<div class="content">
<div class="container">
<h3>Organising Committee</h3>
<br>
<ul>
<li>Shane Byrne (Chair)</li>
<br>
<li>Mike O'Dowd</li>
<br>
<li>Duncan Moore</li>
</ul>
</div>
</div>
<div class="content">
<div class="container">
<h3>Paper Review Committee</h3>
<br>
<ul>
<li>Victor Lazzarini</li>
<li>Oeyvind Brandtsegg</li>
<li>Alex Hofmann</li>
<li>Michael Gogins</li>
<li>Luis Jure</li>
<li>Tarmo Johannes</li>
<li>Rory Walsh</li>
</ul>
</div>
</div>
<div class="content">
<div class="container">
<h3>Music Review Committee</h3>
<br>
<ul>
<li>Gordon Delap</li>
<li>Jenn Kirby</li>
<li>Brian Bridges</li>
<li>David Stalling</li>
<li>Eoin Smith</li>
<li>Kerry Hagan</li>
<li>Iain McCurdy</li>
</ul>
</div>
</div>
<br>
<br>
<!-- <div class="bgimg-6" id="keynotes">
<div class="caption">
<span class="border" style="background-color:transparent;font-size:25px;color: #f7f7f7;" id="keynotes">KEYNOTE
SPEAKERS</span>
</div>
</div>
<br> -->
<!-- Keynotes -->
<!-- <div class="content">
<div class="container">
<div>
<div class="col-sm-3">
<h3 style=" text-align:justify">Richard Boulanger</h3>
<img src="img/Richard_Boulanger-Photo3.jpg" , style="width:100%;">
</div>
<div class="col-sm-9" style="padding-top: 5%; padding-bottom: 5%;">
<button type="button" class="collapsible">Biography</button>
<div class="biocontent">
<p>
Dr. Richard Boulanger (a.k.a. “Dr.B”), is a Professor of Electronic Production and Design at the Berklee
College of Music, in Boston.
He holds a Ph.D. in Computer Music from the University of California, San Diego (UCSD) where he worked at
the Center for Music Experiment’s Computer Audio Research Lab (CARL) with Dick Moore, “The Father of
cmusic”.
After UCSD, Boulanger continued his computer music research at The MIT Media Lab, Bell Labs, Stanford's
CCRMA, IBM, Interval Research, and for The One Laptop Per Child Project (OLPC).
Throughout his career, Dr.B. was a close collaborator with "The Father of Csound" - Professor Barry Vercoe
at MIT, and “The Father of Computer Music” - Dr. Max Mathews at Bell Labs, Stanford, and Interval.
For many years, Boulanger and Vercoe worked on Csound at MIT and on the OLPC Project, and Boulanger and
Mathews worked on The Radio Baton, Scanned Synthesis, and Phaser Filters.
Further, Boulanger and Mathews co-wrote papers, gave lectures and workshops, and performed Boulanger’s
compositions together at many Colleges and Universities in the US, and abroad at many of the Bourges and
Audio Art Festivals,
Also, they were featured at many AES, SEAMUS, ICMC and NIME conferences. Boulanger’s ‘open source’
masterpiece, ‘Trapped in Convert”, composed at MIT in the summer of 1979 (in Vercoe’s ‘music11’ language
written in RT11 assembly and running on a DEC PDP11)
and later revised at MIT in 1986 (in Vercoe’s new ‘C’ version of music11, running on a DEC-VAX11780 and
now
called ‘csound’), is considered to be the ‘first’ Csound piece.
As an internationally recognized performing composer, Boulanger has premiered his original interactive
works
at the Kennedy Center, in Washington, DC, at Alice Tully Hall in NYC, and he has appeared on stage
performing his Radio Baton and PowerGlove Concerto with the Newton, Brockton, New Haven, Hamilton,
Stanford,
Krakow and Moscow Symphonies.
</p>
<p>
Born in 1956, Boulanger’s first symphony (for Two Arp 2600’s and the 100+ member Newton Symphony
Orchestra)
was commissioned in 1977 (at the age of 21) by Alan R. Pearlman, (“The Father of the ARP 2600” and the
President and founder of ARP Synthesizers).
Dr. Boulanger has published articles on sound design, production and composition in all the major
electronic
music and music technology magazines in the US - Perspectives of New Music, Electronic Musician, Keyboard.
He has appeared on PBS, NOVA, CBS, The Today Show, and Red Bull TV (With GZA from The Wu-Tang Clan
controlling Csound with his brainwaves).
Boulanger has worked with and performed with BT, Nona Hendrix, and Hank Shocklee (from Public Enemy), and
done Csound-based sound design in several Hollywood Films and TV shows (including some Csound-based vocal
processing of David Bowie for the SONY Film - Stealth).
For MIT Press, Boulanger has authored and edited two canonical computer music textbooks: The Csound Book
and
The Audio Programming Book.
His company, <a href= "https://boulangerlabs.com/" target="_blank">Boulanger Labs,</a> has developed Csound-based iOS apps include csJam, csGrain and csSpectral,
and
for the Leap Motion Controller they developed an app called MUSE and he composed and performed a major
symphonic work built around these apps called: ‘Symphonic Muse’ - featuring soloists from the Boston
Symphony Orchestra.
Boulanger has received many many grants, awards, and honors… most notably, he was a Fulbright Professor at
the Krakow Academy of Music, and at Berklee, where he has been teaching for over 36 years, ‘Dr. B.’ has
been
honored with both the “Faculty of the Year Award” and the “President’s Award.”
</p>
<p>
Boulanger's philosophy is as follows: “For me, music is a medium through which the spiritual essence of
all things is revealed and shared.
Compositionally, I am interested in extending the ‘voice’ of both student and professional performers
through technological means to help them produce a music that connects with the past, lives in the present
and speaks to the future.
Educationally, I am interested in helping my students to recognize, as I have, that Csound is the richest,
most expressive, most versatile, and most powerful ‘instrument’ for their creative explorations,
realizations, and innovations.
Csound itself embraces and preserves the past and points to the future. It is both foundational and
inspirational.
With Csound, one literally stands on the shoulders of giants. Studying, and mastering this incredibly
versatile and malleable ‘instrument’ will
enable today’s most gifted, talented, brilliant, and curious audio artists, visionaries, and dreamers to
create their own unique and truly personal set of musical devices, smart generative systems, new tools,
new sounds, new instruments,
and new ways to play, and with them, to create and communicate with an enlightened, and truly unique
musical voice.”
</p>
</div>
</div>
</div>
</div>
</div>
<br>
<hr>
<div class="content">
<div class="container">
<div>
<div class="col-sm-3">
<h3 style="text-align:justify">Iain McCurdy</h3>
<img src="img/IainMcCurdy.JPG" , style="width:100%;">
</div>
<div class="col-sm-9" style="padding-top: 5%; padding-bottom: 5%;">
<button type="button" class="collapsible">Biography</button>
<div class="biocontent">
<p>
Iain McCurdy is a composer and lecturer originally from Belfast and currently based at Maynooth
University,
Ireland. He has been working with, and contributing to, the Csound project since 1999. His contributions
to
Csound have included working on the FLOSS manual project and contributing to the Springer Csound Book.
He
has
also written a catalogue of over 600 interactive examples for Csound covering many of its capabilities.
This
resource has proved valuable for many learning the program. More recent work has focussed on the popular
Csound front–end, Cabbage.
Since January 2016 Iain has held the position of Lecturer in Music at the University of Maynooth
(National
University of Ireland) where his teaching duties cover composition, electronic music, programming and
research
supervision. He is currently the Director of Music Studios at Maynooth.
As a composer his work has covered the areas of acousmatic, electroacoustic, instrumental, sound
installation
and cross–disciplinary works involving all four. His work with sound installations and alternative
controller
design has drawn in exploration of electronics, sensors and instrument building. Other foci of work are
recording, videography, surround sound, ambisonics and other esoteric microphone technologies.
More information about Iain is available at his website: <a href="http://iainmccurdy.org/" target="_blank"> www.iainmccurdy.org.</a>
</p>
</div>
</div>
</div>
</div>
</div>
<br>
<hr>
<div class="content">
<div class="container">
<div>
<div class="col-sm-3">
<h3 style=" text-align:justify">Rory Walsh</h3>
<img src="img/RoryWalsh_out.jpeg" , style="width:100%;">
</div>
<div class="col-sm-9" style="padding-top: 5%; padding-bottom: 5%;">
<button type="button" class="collapsible">Biography</button>
<div class="biocontent">
<p>
Rory is a graduate of Maynooth University, Ireland, and a lecturer in the Dundalk Institute of
Technology's
School of Computing, Music, and Creative Media.
Since finishing his studies he has collaborated with a diverse range of artists both as a musician and
in
the capacity of audio software developer.
<a href="https://cabbageaudio.com/" target="_blank">His software</a> is being used in many universities around the globe, including Berklee College of Music in
Boston Massachusetts, Trondheim University, and St.Petersburg's University of Telecommunications.
Rory makes extensive use of the Csound host API, and has used it to make Csound accessible within a host
of
audio applications, ranging from digital audio workstations to industry leading audio middleware.
</p>
</div>
</div>
</div>
</div>
</div>
<br>
<br> -->
<div class="bgimg-3" id="location">
<div class="caption">
<span class="border" style="background-color:transparent;font-size:40px;color: #f7f7f7;"
id="location">LOCATION</span>
</div>
</div>
<br>
<br>
<div class="content">
<div style="text-align: center" class="container">
<h3>TUS Midlands</h3>
<h3> University Road,</h3>
<h3> Athlone, </h3>
<h3> Co.Westmeath </h3>
<h3> Ireland</h3>
<h3>N37 HD68</h3>
<br>
<hr>
<br>
<h2>Getting Here</h2>
<h3>From Dublin to Athlone</h3>
<br>
<p>Train to Athlone City from Heuston Station.<a href="https://www.irishrail.ie/" target="_blank"> Irish Rail
website</a></p>
<p>Duration: 1 hour 19 min</p>
<br>
<p>Citylink Bus (763) Direct to TUS campus. <a href="https://www.citylink.ie/" target="_blank"> Citylink website</a></p>
<p>Duration: 1 hour 50 min</p>
<br>
<p>Aircoach Bus to Athlone City. <a href="https://www.aircoach.ie/" target="_blank"> Aircoach website</a></p>
<p>Duration: 1 hour 26 min</p>
<br>
<h3>From Galway to Athlone</h3>
<br>
<p>Train to Athlone City from Galway Train Station.<a href="https://www.irishrail.ie/" target="_blank"> Irish Rail
website</a></p>
<p>Duration: 1 hour 11 min</p>
<br>
<p>Citylink Bus (763) Direct to TUS campus. <a href="https://www.citylink.ie/" target="_blank"> Citylink website</a></p>
<p>Duration: 1 hour 30 min</p>
<br>
<p>Aircoach Bus to Athlone City. <a href="https://www.aircoach.ie/" target="_blank"> Aircoach website</a></p>
<p>Duration: 1 hour 8 min</p>
<br>
<h3>From Athlone to TUS campus</h3>
<br>
<p>A2 from Athlone Train Station.<a
href="https://moovitapp.com/index/en/public_transit-line-A2-Ireland-502-851897-545015-1" target="_blank"> Bus
Route</a></p>
<p>Duration: 35 min</p>
<br>
<iframe
src="https://www.google.com/maps/embed?pb=!1m18!1m12!1m3!1d2854.5545550614315!2d-7.907965909791265!3d53.41905659008645!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x485c4932cbe61171%3A0x7c722950a6316f81!2sSoftware%20Research%20Institute!5e1!3m2!1sen!2sie!4v1667516696983!5m2!1sen!2sie"
width="100%" height="450" frameborder="0" style="border:0" allowfullscreen=""></iframe>
</div>
<br>
<br>
<img src="img/engineering_building1.png/engineering_building1.png.001.jpeg" alt="map3" width="100%" height="100%" frameborder="0" style="border:00" allowfullscreen="">
<br>
<br>
<img src="img/ICSC_Engineering building map.001.jpeg" alt="map1" width="100%" height="100%" frameborder="0" style="border:0" allowfullscreen="">
<br>
<br>
<img src="img/ICSC_Engineering building map.002.jpeg" alt="map2" width="100%" height="100%" frameborder="0" style="border:0" allowfullscreen="">
</div>
<br>
<br>
<br>
<!-- Call for Participation -->
<div class="bgimg-2">
<div class="caption">
<span class="border" style="background-color:transparent;font-size:40px;color: #f7f7f7;">CALL FOR
PARTICIPATION</span>
</div>
</div>
<div class="content">
<div class="container">
<br>
<p>We are now accepting submissions of music, papers and workshops covering all topics related to Csound </p>
<p>We are particularly interested in proposals for sound installations, workshops and non duration-specific
sound
works.</p>
<p>There are several acoustically isolated spaces available for such pieces, so please get in touch via email
to
discuss viability.</p>
<br>
</div>
</div>
<div id="callforPapers"></div>
<br>
<br>
<div class="content">
<div class="container">
<h2 style="text-decoration-line: underline;">Call for papers</h2>
<p>Papers are welcome on all topics related to Csound. The list of topics of
interest includes, but is not limited to, the following:
<ul>
<li>Csound as an educational tool</li>
<li>novel sound synthesis and/or processing techniques</li>
<li>new Csound opcodes</li>
<li>new interfaces, front ends and development environments</li>
<li>Csound in real time</li>
<li>Csound on embedded systems</li>
<li>live coding with Csound</li>
<li>Csound in web-based applications</li>
<li>algorithmic composition with Csound</li>
<li>creative and interdisciplinary projects using Csound</li>
</ul>
<br>
<h3>Submissions and guidelines</h3>
<p>All papers are to be submitted through the <a href="https://easychair.org/cfp/ICSC-2022"
target="_blank">EasyChair conference system</a>, and will be peer-reviewed in a double blind process by a
qualified committee.</p>
<p>The maximum paper length is six pages including abstract, figures, tables and eventual references. An
additional seventh page is accepted provided it <i>only</i> includes references.
<p>To guarantee the double blind review process, manuscripts should not include the author names nor
affiliations.
</p>
<h3>Templates</h3>
<p>Manuscripts should be prepared according to the provided template, that also includes more detailed
formatting
guidelines.</p>
<ul>
<li><a href="./ICSC2022_template_latex.zip">LaTeX template and document class file</a>, strongly preferred
</li>
<li><a href="./ICSC2022_template_odt.zip">Open Document Text template and fonts</a>, to be used as a second
choice</li>
</ul>
</ul>
<br>
</div>
</div>
<hr>
<div id="callforMusic"></div>
<br>
<br>
<div class="content">
<div class="container">
<h2 style="text-decoration-line: underline;">Call for Music</h2>
<p>Pieces are welcome in all styles, realised using Csound. All pieces will be reviewed in a double blind
process
by a qualified music committee.</p>
<p>Submissions will be accepted in the following categories:</p>
<ul>
<li>electronic music on fixed medium</li>
<li>live electronics</li>
<li>mixed pieces for instrument(s) and electronics</li>
<li>electronic music with a visual component</li>
</ul>
<p>Two systems will be available for sound diffusion: a stereo 2.1 system, and an octophonic 8.1 system
distributed in a regular octagon.
More details about the 8-channel sound system and loudspeaker layout can be found in this <a
href="./ICSC2022_Octo.pdf">document</a>.</p>
<br>
<h3>Submissions and guidelines</h3>
<p>Everyone is invited to submit more than one piece; however, only
one piece per author will be accepted.
<p>Please note that while the maximum
duration for music submissions is 16 minutes, shorter pieces might have a better chance to
be accepted. Submissions in these categories should be for one of
the two setups described above; other loudspeaker layouts will not be
available.</p>
<p>Pieces including live performance can be programmed only if the
composer(s) provide the necessary performers.</p>
<p>To submit, please send an email to <a href="mailto:icsc2022.music@gmail.com">icsc2022.music@gmail.com</a>,
and
set the Subject to the title of your piece.</p>
<p>In the body of the message include a link to a downloadable
compressed archive containing two files:</p>
<ul>
<li>the <a href="./ICSC2022_music_form.pdf">submission form</a>, with all fields appropriately filled;</li>
<li>a lossless compressed recording of the piece in FLAC format. In case of 8-channel pieces, please submit
a
stereo downmix, the multichannel version will be requested in case of acceptance. For submissions in
category
3, the recording should include the instrumental part(s). Submissions of pieces without a fixed version
(live
electronics, interactive pieces, sound installations) should include a recording of an example realization
of
the piece, together with a complete description in the submission form.
</ul>
<p>The compressed archive file can be in any standard format, like .zip, .7-zip, .tar.gz, .tar.bz2, etc.</p>
<p> </p>
</div>
</div>
<hr>
<div id="callforInstallations"></div>
<br>
<br>
<div class="content">
<div class="container">
<h2 style="text-decoration-line: underline;">Call for Installations</h2>
<p>Sound installations and site-specific sound art are welcomed. We have a number of interesting spaces, some
open, some isolated,
which may be suitable for your piece, <a href="mailto:icsc2022.music@gmail.com">get in touch</a> if you have
specific questions about the available spaces.</p>
<br>
<h3>Submissions and guidelines</h3>
<p>Proposals for sound installations do not have <i>a priori</i>
limitations in duration or sound system required. Their acceptance,
however, will be subject to their feasibility.</p>
<p>To submit, please send an email to <a href="mailto:icsc2022.music@gmail.com">icsc2022.music@gmail.com</a>,
and
set the Subject to the title of your piece.</p>
<p>In the email please attach this completed <a href="./ICSC2022_installation_form_master.pdf">submission
form</a>, with all fields appropriately filled.
Please include links to previous work or other supporting material in the section provided in the submission
form. Use permanent links such as Google Drive or Dropbox, not links that will expire such as WeTransfer.
</p>
</div>
</div>
<hr>
<div id="callforWorkshop"></div>
<br>
<br>
<div class="content">
<div class="container">
<h2 style="text-decoration-line: underline;">Call for Workshops</h2>
<p>If you have an idea for a workshop, be it software or hardware-based, we'd love to hear about it.
There are some great facilities available in the Engineering building at TUS that can cater for a range of
workshops, <a href="mailto:icsc2022.music@gmail.com">get in touch</a> if you have specific questions about
the
facilities.</p>
<br>
<h3>Submissions and guidelines</h3>
<p>Proposals for workshops will be will be subject to their feasibility.</p>
<p>To submit, please send an email to <a href="mailto:icsc2022.music@gmail.com">icsc2022.music@gmail.com</a>,
and
set the Subject to the title of your piece.</p>
<p>In the email please attach this completed <a href="./ICSC2022_workshop_form_master.pdf">submission
form</a>,
with all fields appropriately filled.
Please include links to previuos work or other supporting material in the section provided in the submission
form. Use permanent links such as Google Drive or Dropbox, not links that will expire such as WeTransfer.
</p>
<p> </p>
<p>For further inquiries about submissions, please do not hesitate to <a
href="mailto:icsc2022.music@gmail.com">contact us</a>.</p>
</div>
</div>
<div class="bgimg-4" id="dates">
<div class="caption">
<span class="border" style="background-color:transparent;font-size:40px;color: #f7f7f7;">IMPORTANT
DATES</span>
</div>
</div>
<div class="content">
<div class="container">
<h2>Important dates and deadlines</h2>
<ul>
<li>
<div>Conference: Friday November 4—Sunday November 6</div>
</li>
<li>
<div>Opening Concert: Thursday November 3</div>
</li>
</ul>
<h3>Paper submissions</h3>
<ul>
<li>
<div>April 27: paper submission opens</div>
</li>
<li>
<div><s>July 15:</s> August 19 (23:59): paper submission deadline</div>
</li>
<li>
<div>September 1: paper notification of acceptance</div>
</li>
<li>
<div>October 14: camera–ready submission deadline</div>
</li>
</ul>
<h3>Music, Installation, and Workshop submissions</h3>
<ul>
<li>
<div>April 27: music, installation, and workshop submission opens</div>
</li>
<li>
<div><s>August 5:</s> September 9 (23:59) music, installation, and workshop submission deadline</div>
</li>
<li>
<div>September 16: music, installation, and workshop notification of acceptance</div>
</li>
</li>
</ul>
<h3>Registration</h3>
<ul>
<li>
<div>July 22: registration opens</div>
</li>
<li>
<div>September 2: end of early registration, end of registration for authors</div>
</li>
</ul>
</div>
</div>
<br>
<div class="bgimg-5" id="register">
<div class="caption">
<span class="border" style="background-color:transparent;font-size:40px;color: #f7f7f7;">REGISTRATION</span>
</div>
</div>
<br>
<div class="content">
<div class="container">
<h2 style="text-decoration-line: underline;">Registration</h2>
<p>Attendees registering with student rates will be required to show a valid student ID at the registration desk of the conference to obtain thier badges. Reduced rates are for student attendees only (non-authors).
All authors must pay the relevant registration fee in order to have their papers included in the conference proceedings.
All prices are in Euros.</p>
<p>You can register through the <a href="https://www.eventbrite.com/e/icsc-2022-tickets-389236606167"
target="_blank">Eventbrite page</a> for this event </p>
</div>
</div>
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