conluvies/objects.xml at master · jamescummings/conluvies · GitHub

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<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="http://www.tei-c.org/release/xml/tei/custom/schema/relaxng/tei_all.rng" type="application/xml" schematypens="http://relaxng.org/ns/structure/1.0"?>
<?xml-model href="http://www.tei-c.org/release/xml/tei/custom/schema/relaxng/tei_all.rng" type="application/xml"
	schematypens="http://purl.oclc.org/dsdl/schematron"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title>Example of an Object Name Authority File</title>
         </titleStmt>
         <publicationStmt>
            <p>Made by James Cummings for LEAF project 2025-04-21</p>
         </publicationStmt>
         <sourceDesc>
            <p>Mostly using examples from the TEI Guidelines</p>
         </sourceDesc>
      </fileDesc>
   </teiHeader>
   <text>
      <body>
         <p>The list of entities may appear in the <gi>teiHeader</gi> (e.g. in <gi>sourceDesc</gi>,
               <gi>particDesc</gi>, <gi>settingDesc</gi>, etc.) or in the <gi>body</gi>,
               <gi>back</gi>, or <gi>standOff</gi> element as appropriate. Although here the
               <att>xml:id</att>'s of each <gi>object</gi> are prefixed with <val>object-</val>,
            they need not be. </p>
         <p>In this case the <gi>listObject</gi> is stored in the <gi>standOff</gi> element located
            inside the <gi>back</gi> element.</p>

         <p>There is a fun statue in Leeds that locals call '<objectName
               ref="#object-barrelManSculpture">The Barrel Man</objectName>. It isn't as important
            as <objectName ref="#object-Excalibur-shortIdentifier">Excalibur</objectName> or
            anything. Though the real <objectName ref="#object-Excalibur-longerIdentifier"
               >Excalibur</objectName> is even better. Though real objects like the <objectName
               ref="#object-TutankhamunMask">Tutankhamun Mask</objectName> are even better than
            that, though I've always preferred the <objectName ref="#object-Alfred-Jewel">Alfred
               Jewel</objectName> for some reason. </p>

      </body>

      <back>

         <listObject>
            <!-- Barrel Man -->
            <object xml:id="object-barrelManSculpture">
               <objectIdentifier>
                  <objectName>The Barrel Man</objectName>
                  <objectName>The Dortmund Drayman</objectName>
                  <objectName>The Barrel Man statue</objectName>
                  <address>
                     <idno type="W3W"/>
                     <location>
                        <geo>53.799583 -1.543972</geo>
                     </location>
                  </address>
               </objectIdentifier>
               <note> A sculpture in <placeName>Leeds</placeName>. </note>
            </object>

            <!-- Excalibur -->
            <object xml:id="object-Excalibur-shortIdentifier">
               <objectIdentifier>
                  <objectName>Excalibur</objectName>
               </objectIdentifier>
               <p>Excalibur is the name for the legendary sword of King Arthur.</p>
            </object>
            <!-- A longer example of an identifier -->
            <object xml:id="object-Excalibur-longerIdentifier">
               <objectIdentifier>
                  <objectName type="main">Excalibur</objectName>
                  <objectName type="alt">Caliburn</objectName>
                  <objectName xml:lang="cy">Caledfwlch</objectName>
                  <objectName xml:lang="cnx">Calesvol</objectName>
                  <objectName xml:lang="br">Kaledvoulc'h</objectName>
                  <objectName xml:lang="la">Caliburnus</objectName>
                  <country>Wales</country>
               </objectIdentifier>
               <p>Excalibur is the main English name for the legendary sword of King Arthur. In
                  Welsh it is called <mentioned>Caledfwlch</mentioned>, in Cornish it is called
                     <mentioned>Calesvol</mentioned>, in Breton it is called
                     <mentioned>Kaledvoulc'h</mentioned>, and in Latin it is called
                     <mentioned>Caliburnus</mentioned>. In some versions of the legend, Excalibur’s
                  blade was engraved with phrases on opposite sides: <q>Take me up</q> and <q>Cast
                     me away</q> (or similar).</p>
            </object>

            <!-- An embedded listObject since those are allowed... -->
            <listObject>
               <object xml:id="object-TutankhamunMask">
                  <objectIdentifier>
                     <objectName xml:lang="en">Mask of Tutankhamun</objectName>
                     <idno type="carter">256a</idno>
                     <idno type="JournalD'Entrée">60672</idno>
                     <idno type="exhibition">220</idno>
                     <institution>Museum of Egyptian Antiquities</institution>
                     <address>
                        <street>15 Meret Basha</street>
                        <district>Ismailia</district>
                        <settlement>Cairo</settlement>
                        <country>Egypt</country>
                        <location>
                           <geo>30.047778 31.233333</geo>
                        </location>
                     </address>
                  </objectIdentifier>
                  <msContents>
                     <p>The back and shoulders of the mask is inscribed with a protective spell in
                        Egyptian hieroglyphs formed of ten vertical and horizontal lines. This spell
                        first appeared on masks in the Middle Kingdom at least 500 years before
                        Tutankhamun, and comes from chapter 151 of the <title>Book of the
                           Dead</title>.</p>
                  </msContents>
                  <physDesc>
                     <p>The mask of Tutankhamun is 54cm x 39.3cm x 49cm. It is constructed from two
                        layers of high-karat gold that varies in thickness from 1.5-3mm. It weighs
                        approximately 10.23kg and x-ray crystallography shows that it is composed of
                        two alloys of gold with a lighter 18.4 karat shade being used for the face
                        and neck while a heavier 22.5 karat gold was used for the rest of the
                        mask.</p>
                     <p>In the mask Tutankhamun wears a nemes headcloth which has the royal insignia
                        of a cobra (Wadjet) and vulture (Nekhbet) on it. These are thought
                        respectively to symbolize Tutankhamun's rule of both Lower Egypt and Upper
                        Egypt. His ears are pierced for earrings. The mask has rich inlays of
                        coloured glass and gemstones, including lapis lazuli surrounding the eye and
                        eyebrows, quartz for the eyes, obsidian for the pupils. The broad collar is
                        made up of carnelian, feldspar, turquoise, amazonite, faience and other
                        stones.</p>
                  </physDesc>
                  <history>
                     <origin>
                        <p>The mask of Tutankhamun was created in <origPlace>Egypt</origPlace>
                           around <origDate when="-1323" type="circa">1323 BC</origDate>. It is a
                           death mask of the 18th-dynasty ancient Egyptian Pharaoh Tutankhamun who
                           reigned 1332–1323 BC.</p>
                     </origin>
                     <provenance>
                        <p>The mask of Tutankhamun was found in his burial chamber at Theban
                           Necropolis in the Valley of the Kings in 1922. On 28 October 1925 the
                           excavation team led by English archaeologist Howard Carter opened the
                           heavy sarcophagus and three coffins and were the first people in around
                           3,250 years to see the mask of Tutankhamun. Carter wrote in his diary:
                              <quote> The pins removed, the lid was raised. The penultimate scene
                              was disclosed – a very neatly wrapped mummy of the young king, with
                              golden mask of sad but tranquil expression, symbolizing Osiris … the
                              mask bears that god's attributes, but the likeness is that of
                              Tut.Ankh.Amen – placid and beautiful, with the same features as we
                              find upon his statues and coffins. The mask has fallen slightly back,
                              thus its gaze is straight up to the heavens. </quote>
                        </p>
                     </provenance>
                     <acquisition> In December 1925, the mask was removed from the tomb, placed in a
                        crate and transported 635 kilometres (395 mi) to the Egyptian Museum in
                        Cairo, where it remains on public display. </acquisition>
                  </history>
                  <additional>
                     <adminInfo>
                        <custodialHist>
                           <custEvent when="1944">When it was discovered in 1925, the 2.5kg narrow
                              gold beard was no longer attached to the mask and was reattached to
                              the chin by use of a wooden dowel in 1944.</custEvent>
                           <custEvent when="2014-08"> In August 2014 when the mask was removed from
                              its display case for cleaning, the beard fell off again. Those working
                              in the museum unadvisedly used a quick-drying epoxy to attempt to fix
                              it, but left the beard off-centre. </custEvent>
                           <custEvent when="2015-01">The damage was noticed and repaired in January
                              2015 by a German-Egyptian team who used beeswax, a material known to
                              be used as adhesives by the ancient Egyptians.</custEvent>
                        </custodialHist>
                     </adminInfo>
                  </additional>
               </object>
            </listObject>

            <object xml:id="object-Alfred-Jewel">
               <objectIdentifier>
                  <country>United Kingdom</country>
                  <region>Oxfordshire</region>
                  <settlement>Oxford</settlement>
                  <institution>University of Oxford</institution>
                  <repository>Ashmolean Museum</repository>
                  <collection>English Treasures</collection>
                  <idno type="ashmolean">AN1836p.135.371</idno>
                  <idno type="wikipedia">https://en.wikipedia.org/wiki/Alfred_Jewel</idno>
                  <objectName>Alfred Jewel</objectName>
               </objectIdentifier>
               <physDesc>
                  <p>The Alfred Jewel is about 6.4 cm in length and is made of combination of
                     filigreed <material>gold</material> surrounding a polished teardrop shaped
                     piece of transparent <material>quartz</material>. Underneath the rock crystal
                     is a cloisonné enamel image of a man with ecclesiastical symbols. The sides of
                     the jewel holding the crystal in place contain an openwork inscription saying
                     "AELFRED MEC HEHT GEWYRCAN", meaning 'Alfred ordered me made'.</p>
               </physDesc>
               <history>
                  <origin>It is generally accepted that the Alfred Jewel dates from the
                        <origDate>late 9th Century</origDate> and was most likely made in
                        <origPlace>England</origPlace>. </origin>
                  <provenance when="1693">The jewel was discovered in 1693 at Petherton Park, North
                     Petherton in the English county of Somerset, on land owned by Sir Thomas Wroth.
                     North Petherton is about 8 miles away from Athelney, where King Alfred founded
                     a monastery. </provenance>
                  <provenance when="1698">A description of the Alfred Jewel was first published in
                     1698, in the Philosophical Transactions of the Royal Society.</provenance>
                  <acquisition> It was bequeathed to Oxford University by Colonel Nathaniel Palmer
                     (c. 1661-1718) and today is in the Ashmolean Museum in Oxford. </acquisition>
               </history>
            </object>
         </listObject>

         <!-- Inside another listObject -->
         <listObject>
            <object xml:id="object-BeverlyClock">
               <objectIdentifier>
                  <objectName>Beverly Clock</objectName>
                  <address>
                     <addrLine>Third Floor Lift Foyer</addrLine>
                     <addrLine>Department of Physics</addrLine>
                     <addrLine>University of Otago</addrLine>
                     <addrLine>Dunedin</addrLine>
                     <addrLine>New Zealand</addrLine>
                  </address>
                  <idno type="URI">https://en.wikipedia.org/wiki/Beverly_Clock</idno>
               </objectIdentifier>
               <p>The Beverly Clock is stored in the 3rd-floor lift foyer of the Department of
                  Physics at the University of Otago, Dunedin, New Zealand. Despite not having been manually wound
                  since its construction in 1864 by Arthur Beverly, it continues to function.</p>
            </object>
         </listObject>
      </back>
   </text>
</TEI>